- Printemps 25
- Hiver 24
- AUTOMNE 24
- ÉTÉ 24
- Printemps 24
- Hiver 23
- Automne 23
- Printemps 23
- Hiver 22
- Automne 22
- Été 22
- Printemps 22
- Hiver 21
- Automne 21
- Été 21
- Printemps 21
- Hiver 20
- Automne 20
- Été 20
- Printemps 20
- Hiver 19
- Automne 19
- Été 19
- Printemps 19
- Hiver 18
- Automne 18
- Été 18
- Printemps 18
- Hiver 17
- Automne 17
- Été 17
- Printemps 17
- Automne 16
- All Collections
AUTOMNE 22
Looks
CHARGEMENT...
FALL 22 – THE LOST TAPE
The Balenciaga Fall 22 presentation comes in the form of a message from the past about what could have been and never was. It recalls a time when clothing that was alive with raw ideas—anti-fashion, deconstruction, and monochromatic minimalism— could be found anywhere from an industry spectacle to the active underground.
On The Lost Tape, a fashion show is characterized by the people and things that defined this late-90s era, filmed using a VHS camera by Harmony Korine.
The collection symbolically fills a gap from Balenciaga’s forgotten years. Raver and post-grunge silhouettes are pushed to their limits. Proportions are played with, creating new silhouettes and evolving others, including Balenciaga signatures like the Basque waist jacket and the track suit. Front-to-back pieces are studies of classic suiting and tweed dresses that question closure placement, reverse-engineering constructions to become tailored. Ultra-stretchy knits make these and shrunken twin sets easy to put on.
Balenciaga icons are reimagined for modern comfort: A bell-shaped parka is affixed with a detachable travel pillow at the neck. Conventional pieces are twisted to create a cross between a bathrobe and a trench coat. Vintage slip dresses are disassembled and pieced back together. Five-pocket jeans are cut up to create a three-piece silhouette that can be worn as a miniskirt, pants, or XL thigh-high boots. Fluid tailoring gives a deconstructed suit an unlined raglan sleeve, in the collection’s Belgian avant-goth tones. Relaxed, low-rise trousers and jeans show an underwear waistband above a double-B belt for an elongated look. A Couture-like bell-shaped puffer’s detachable bow can be used as a scarf. Wrap closures use DIY ways of fastening, like oversized safety pins. The show’s first look seals the body from the neck down with a gloved top and the first pair of five-pocket Pantaboots.
The Excavator is a cowboy boot-inspired thigh-high wader. The Kensington is a unisex square-toed ballerina flat, worn like a slipper. The Falkon Boot has a wide, pliable upper, giving its silhouette additional volume. The Lindsay Bag reinterprets a Balenciaga classic, inspired by a buckled 90s purse. The Waist Bag is belted and cinched around its middle. The Metro Bag, a front flap purse, is made with knitted cords of faux leather and a massive metal chain. The Emo Bag combines grommeted fetish straps, extra hardware, and super stone-washed leather.
A commitment to responsible production continues, represented this season with 89.6% certified sustainable plain and printed ready-to-wear fabrics as well as pieces of upcycled leather used in garments and accessories.
IMPORTANT NOTE: From now on, Demna uses only his first name, distinguishing an artist title from a birthname and therefore separating creative work from personal life. In all press going forward, he chooses to be referred to simply as Demna.
The Balenciaga Fall 22 presentation comes in the form of a message from the past about what could have been and never was. It recalls a time when clothing that was alive with raw ideas—anti-fashion, deconstruction, and monochromatic minimalism— could be found anywhere from an industry spectacle to the active underground.
On The Lost Tape, a fashion show is characterized by the people and things that defined this late-90s era, filmed using a VHS camera by Harmony Korine.
The collection symbolically fills a gap from Balenciaga’s forgotten years. Raver and post-grunge silhouettes are pushed to their limits. Proportions are played with, creating new silhouettes and evolving others, including Balenciaga signatures like the Basque waist jacket and the track suit. Front-to-back pieces are studies of classic suiting and tweed dresses that question closure placement, reverse-engineering constructions to become tailored. Ultra-stretchy knits make these and shrunken twin sets easy to put on.
Balenciaga icons are reimagined for modern comfort: A bell-shaped parka is affixed with a detachable travel pillow at the neck. Conventional pieces are twisted to create a cross between a bathrobe and a trench coat. Vintage slip dresses are disassembled and pieced back together. Five-pocket jeans are cut up to create a three-piece silhouette that can be worn as a miniskirt, pants, or XL thigh-high boots. Fluid tailoring gives a deconstructed suit an unlined raglan sleeve, in the collection’s Belgian avant-goth tones. Relaxed, low-rise trousers and jeans show an underwear waistband above a double-B belt for an elongated look. A Couture-like bell-shaped puffer’s detachable bow can be used as a scarf. Wrap closures use DIY ways of fastening, like oversized safety pins. The show’s first look seals the body from the neck down with a gloved top and the first pair of five-pocket Pantaboots.
The Excavator is a cowboy boot-inspired thigh-high wader. The Kensington is a unisex square-toed ballerina flat, worn like a slipper. The Falkon Boot has a wide, pliable upper, giving its silhouette additional volume. The Lindsay Bag reinterprets a Balenciaga classic, inspired by a buckled 90s purse. The Waist Bag is belted and cinched around its middle. The Metro Bag, a front flap purse, is made with knitted cords of faux leather and a massive metal chain. The Emo Bag combines grommeted fetish straps, extra hardware, and super stone-washed leather.
A commitment to responsible production continues, represented this season with 89.6% certified sustainable plain and printed ready-to-wear fabrics as well as pieces of upcycled leather used in garments and accessories.
IMPORTANT NOTE: From now on, Demna uses only his first name, distinguishing an artist title from a birthname and therefore separating creative work from personal life. In all press going forward, he chooses to be referred to simply as Demna.
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